Country Music’s Culture Wars and the Remaking of Nashville

LGBTQIA+
BIPOC
By
Emily Nussbaum
July 17, 2023
The New Yorker
Article

It was a small compromise, Russell told me, since their goal was broader and deeper than party politics: they needed their listeners to know that they weren’t alone in dangerous times. There was a Nashville that many people didn’t realize existed, and it could fill the biggest venue in town.

read
Article
Two Black women, Allison Russel plays Clarinet and Sista Strings on the fiddle in a concert perfromance
Photo Credit:
Gabriel Barreto

resources

decorative diamond background

Website

bipoc icondisabled iconlgbtq icon

Country Universe

The longest-running country music blog, Country Universe was founded on and remains committed to the fact-based notion that country music has never been the exclusive purview of artists who are straight, white, Christian, Southern, and (mostly) men. When focusing on either the genre's history or its present, CU takes a "big tent" approach to the broader country universe and believes that a foundation of empathy makes country music an essential part of our shared popular culture.

decorative diamond background

Playlist

bipoc icondisabled iconlgbtq icon

Gay Ole Opry Playlist

Karen & the Sorrows have been building queer country community in Brooklyn by running the Queer Country Quarterly and the Gay Ole Opry (gayoleopry.com) since 2011. Most of these bands have come to play for us, but some we're still wishing on!

decorative diamond background

Website

bipoc icondisabled iconlgbtq icon

Rainey Day Fund

to support artists of color, artists with disabilities, artists in the 2SLGBTQIA+ community in the roots music sphere.

Stay connected

The latest curated news, events, new releases and featured profiles and resources delivered to your inbox weekly.
Something went wrong. Please try again.
Thank you! Your submission has been received